By Rachel de Queiroz
About the writer (from Goodreads):
Raquel de Queiroz (November 17, 1910 – November four, 2003) used to be a Brazilian writer and journalist.
Rachel used to be born on terrorist organization 1910 in Fortaleza, capital of the northeastern country of Ceará. in the course of her youth, her relatives spent a few years in Rio de Janeiro and Belém sooner than relocating again to Fortaleza.
She all started her occupation in journalism in 1927 lower than the pen identify "Rita de Queiroz". She entered nationwide highlight with the unforeseen good fortune of her debut novel O Quinze in 1930. She released different 3 novels sooner than relocating to Rio, in 1939. She was once additionally popular for her cronicas, brief topical newspaper pieces.
In 1964 she grew to become Brazil's consultant to the UN and in 1977 she grew to become the 1st girl author to go into the Academia Brasileira de Letras. She received the Camões Prize (1993) and the Prêmio Jabuti.
She died of center assault in her condo in Leblon, Rio de Janeiro on four November 2003, approximately weeks prior to her 93rd birthday.
Sobre o livro:
Rachel de Queiroz se consagrou como um dos grandes nomes na narrativa longa brasileira a partir da publicação do romance O Quinze, em 1930. A antologia de textos curtos A casa do Morro Branco, no entanto, vem provar que a autora também dominava perfeitamente a arte dos contos e crônicas. São 14 histórias na qual a autora expõe todas as características que marcaram obras renomadas como João Miguel, Caminho de pedras, As três Marias e Memorial de Maria Moura: análises literárias da existência humana, em seus aspectos políticos e pessoais. É um relançamento que dá continuidade ao resgate pela Editora José Olympio da obra de Rachel e de outros autores.
“Só conheço o lugar de vista. Como disse, tem um morro; não um grande morro alto, desses que mais parecem montanhas de verdade – e, pensando bem, são realmente montanhas”, escreve a autora na crônica que dá nome ao livro. “O de lá period antes uma colina, ou isso que nós no Nordeste chamamos de ‘alto’, ou ‘cabeço’.
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Additional resources for A Casa do Morro Branco
It was as if her skin had become a garment, or perhaps a comic book of faces both leering and tender, beset by dragons, whales, flames, too intricate or maybe too horrid to be comprehended. The first thing you had to wonder was whether her whole body had been transformed in the same way. “How amazing,” said Joyce, as neutrally as possible. “Well, I don’t know how amazing it is, but it would have cost a pile of money if I’d had to pay for it,” Edie said. “That’s what I was into at one time. What I’m showing it to you for is that some people would object to it.
The poor ones have to do that and the rich ones have to look hard for the best ways to spend their money. That is work too. They have to build the best houses with gold faucets for their hot and cold water. And their Audis and magical toothbrushes and all possible contraptions and then burglar alarms to protect against slaughter and all (neigh) neither rich nor poor have any peace in their souls. I was going to write “neighbor” instead of “neither,” why was that? I have not got any neighbor here.
She wore flat shoes and loose pants and flowered tops. Even when they were of a raspberry or turquoise color these tops did not make her look as if she really cared what she put on—it was more as if somebody had told her she needed to smarten herself up and she had obediently gone shopping for something she thought might do that. Her large, kind, impersonal sobriety drained all assaulting cheerfulness, all insult, out of those clothes. “Well the first two times I never saw him,” Doree said. ” “But this time he did?