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Studying sexuality, art historian Natalie Kampen reminds readers in the introduction, is not the same as studying the erotic (that which attempts to arouse the viewer). The study of sexuality encompasses the representation of the [clothed and nude] body, the ways in which sexual identity and sexual conduct define social categories and individuals, and the way that imagery allows human beings to find and measure themselves as sexua1. 58 Practidng Queer/lGBTI art history In the first half of the twentieth century, the American artist Charles Demuth (r883-r935) produced aseries ofwatercolors that represent men's homoerotic desire.

Is there a universal female aesthetic? Can you always recognize the art of women as distinct from the art of men? Does the art of women share certain characteristics acroSS time and space? Feminists and feminist art historians struggle with such questions, which revolve around the issue ofessentialism. Feminist philosoph er Diana Fuss defines essentialism as "a beliefin the real true essence of things, thc invariable and fixed properties which define the 'whatness' ofa given entity. "45 Essentialist arguments are not intrinsically good or bad, but they can be used to support a variety ofpositions.

3. Jacques-l ouis David, The Consecration ofthe Emperor Napoleon and the Coronation of 2 EmpressJosephine (December 2, ,804), 1806-1807· Canvas. Musee du louvre, Paris. Whatwere Napoleon's motivations in choosing David as court painter? 2). David had been appointed official painter to Napoleon and was assigned to produce aseries of four large paintings documenting his coronation (onlytwo were ever executed). What ideologies-on the part of the painter, patron, and intended audience-shaped the creation and reception of this image?

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